
Himself as Herself
1967

Representation Score
Fair
1967
Director
Steven Arnold
Runtime
15 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Steven Arnold's work is a visionary, avant-garde exploration of identity that prioritizes aesthetic abstraction over conventional narrative. By featuring androgynous beings and abstract mannequins, the film challenges binary gender presentations and traditional social hierarchies. The film operates as a dream-like reverie, using a psychedelic lens to explore self-discovery. This approach moves away from standard moralism, focusing on the individual's internal reality. While the film excels in exploring gender fluidity and identity, there is insufficient information about racial and ethnic diversity, as well as physical or neurodivergent disabilities, to fully assess its diversity.
Category Breakdown
The film focuses on androgynous beings, challenging traditional gender expectations. This visual approach highlights non-binary identities and gender fluidity.
Using mannequins and models, the film deconstructs traditional gender roles. It presents a dreamlike journey that questions societal norms around masculinity and femininity.
There is insufficient information regarding the racial or ethnic composition of the cast. Specific ethnic identities of the characters remain unstated.
The film emphasizes subjective, psychedelic experiences rather than traditional Western moralism. It favors personal introspection over established institutional norms.
The film lacks specific details regarding the portrayal of physical or neurodivergent disabilities. No information is available to assess this category.
Present on Screen
Limited or Absent
Official Synopsis
Although best known for his photography, Steven Arnold also wrote, designed, and directed several groundbreaking visionary films, The Liberation of Mannique Mechanique being the first. Stuart Comer of the Tate Modern (London) said of Mannique: “a macabre, decadent work presenting mannequins and models that travel through strange universes toward possible self-discovery.” Brooklyn-based artist and writer Kate Wadkins in a recent online article observed: “Arnold’s films are dream-like visions of androgynous beings. Their narratives are modern-day fairy tales and reveries about gender — all through the lens of an acid trip.”

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