
The Umbrellas of Cherbourg
1964

Representation Score
Limited
1961
PG-13Director
Jacques Demy
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Jacques Demy’s *Lola* is a stylistically fluid film that emphasizes the ability to act of its female lead. Lola is a professional woman who controls her own life, challenging passive stereotypes of femininity. However, the film remains firmly rooted in its mid-century European context. It lacks diversity, presenting a largely homogeneous cast and focusing on traditional heterosexual relationships. While the film delves into complex emotional themes, its scope is intensely localized. It prioritizes personal, existential connections over broader engagement with racial, ethnic, or LGBTQ+ identities.
Category Breakdown
The film focuses solely on heterosexual relationships and does not include any non-cisgender identities or critiques of traditional romantic paradigms.
Lola presents a strong counter-narrative to submissive femininity by managing her own professional and emotional life. She navigates her career and personal life independently.
The cast is predominantly made up of actors from similar backgrounds, reflecting a localized, Eurocentric focus. The story does not explore racial or ethnic diversity.
The story centers on individual emotional experiences and existential questions, rather than critiquing larger societal structures like capitalism or the family unit.
There are no significant depictions of physical or neurodivergent disabilities. Disability is not used as a plot device or for character development.
Present on Screen
Limited or Absent
Official Synopsis
A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.

1964

1966

1965

1939

1969

1962

1969

1971
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.