
A House Built on Lies
2026

2023
TV-PGDirector
Ann Marie Fleming
Runtime
85 minutes
Average Rating
No ratings yetSynopsis
Pregnant and newly single, Julia faces a looming catastrophe when she loses her job. An unlikely lifeline arrives in the form of her new friend Alana, who says she knows people who would pay top dollar for positive pregnancy tests. Inspired by true events.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film centers on a female-centric friendship between Julia and Alana. While the bond suggests potential for queer subtext or non-traditional solidarity, there is no explicit depiction of same-sex intimacy or gender non-conformity.
Gender Representation
Women serve as the primary drivers of this high-stakes thriller. The plot emphasizes female intellect and resourcefulness, subverting traditional male-led tropes by focusing on women navigating economic instability and single motherhood.
Racial & Ethnic Diversity
The narrative does not explicitly detail the racial identities of the main characters. While modern independent thrillers often feature diverse casting, there is no specific evidence of intersectional characters of color.
Religious & Cultural Diversity
The story offers a critique of Western economic institutions and capitalism. It frames survival through ethically ambiguous schemes, prioritizing situational ethics over traditional moral frameworks in response to systemic instability.
Disability Representation
The provided context does not offer evidence regarding the depiction of physical disabilities, neurodivergence, or mental health. The narrative focus remains strictly on economic and reproductive themes.
Strengths
Areas for Improvement
AI Analysis
The film distinguishes itself by centering female agency within a thriller framework. Rather than relying on traditional male protagonists, it explores how women navigate systemic failures like job loss and economic precariousness through unconventional, high-stakes schemes. While the narrative excels at critiquing capitalist structures and traditional morality, it lacks specific visibility regarding racial and LGBTQ+ identities. The focus remains heavily on the interpersonal and economic dynamics between the female leads. Ultimately, the work functions as a progressive departure from institutional tropes, even if it remains unverified in its specific intersectional representation.

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