
Killer Mom
2017

2017
Director
Steve Bacic
Runtime
120 minutes
Average Rating
No ratings yetSynopsis
Emily, who is seven months pregnant, quickly becomes friends with her new neighbour, Kelly, who is also pregnant. They seem to have a lot in common and both look forward to the arrival of their new babies. Little does Emily know that Kelly has been faking her pregnancy in order to get close to Emily so she can steal her baby!
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of non-cisnormative identities or same-sex intimacy. The narrative appears confined to a conventional heteronormative framework centered on biological motherhood.
Gender Representation
While the cast is female-centric, the story relies on traditional tropes of domestic vulnerability. The tension is rooted in gendered anxieties regarding motherhood rather than subverting hierarchies.
Racial & Ethnic Diversity
The narrative lacks indicators of intentional racial or ethnic diversity. The setting suggests a standard domestic thriller without evidence of a non-Anglo-Saxon majority.
Religious & Cultural Diversity
The plot reinforces Western domestic values and the sanctity of the nuclear family. It lacks engagement with secular, anti-institutional, or diverse cultural themes.
Disability Representation
There is no mention of characters with visible or invisible disabilities. The story does not feature neurodivergent individuals or those with chronic health conditions.
Strengths
Areas for Improvement
AI Analysis
My Baby Is Gone! operates as a conventional domestic thriller that prioritizes genre tropes over intersectional storytelling. The plot centers on a high-stakes conflict between two pregnant women, focusing heavily on maternal instinct and domestic security. The film adheres to traditional Western values regarding the nuclear family. It does not attempt to deconstruct social hierarchies or introduce diverse identities, instead following a predictable path of suspense within a heteronormative framework. Ultimately, the work functions as a standard genre piece. It lacks significant engagement with racial, cultural, or LGBTQ+ diversity, resulting in a narrow narrative scope.

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