
Law Breakers
1971

Representation Score
Good
1969
Director
Ettore Scola
Runtime
107 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Ettore Scola’s film serves as a sophisticated critique of provincial morality, revealing the complexities and power imbalances hidden behind institutional facades. While it challenges traditional norms, it remains limited by its regional focus and lack of racial diversity, reflecting the homogeneous nature of 1969 Italian cinema. Ultimately, the film succeeds as a postmodern social critique, emphasizing situational ethics and the deconstruction of systemic hypocrisy.
Category Breakdown
The film includes a convent run by a lesbian, which helps integrate diverse sexualities into the community's social fabric.
Women are shown as active participants in local power dynamics, navigating various social spheres such as nobility and family life, rather than being portrayed as passive victims.
The film focuses on the class and moral hierarchies within a provincial Italian setting. There is no significant racial or ethnic diversity in the cast.
The film criticizes the hypocrisy of traditional institutions like convents and medical practices, challenging the stability of Western social structures.
The film does not provide any specific details or depictions related to physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A police commissioner in a little town in the Italian Venetian province investigates a prostitution ring run by two pensioners; during his investigations he also learns that a former manicurist shacks up with ten students, the prefect's daughter prostitutes to keep her pimp, a famous doctor has sex with his young patients, a headmaster has his eyes on the pupils, a noblewoman organizes orgies in her villa, the local convent is run by a lesbian and his actual girlfriend poses for a hardcore magazine. He wants everything to come out in the open but his superiors try to put obstacles in his way.

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