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Number 17

Name: Number 17
Director: Gösta Stevens
Released: 1949
Duration: 78 min

Representation Score

2.4/10

Limited

1949

Director

Gösta Stevens

Runtime

78 minutes

Average Rating

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New Showbiz Analysis

Number 17 is a mid-century Swedish crime drama that centers around a narrow, male-driven psychological conflict. While it offers a nuanced exploration of mental instability, the film remains deeply rooted in the demographic and social limitations of its era. The narrative focuses almost entirely on the protagonist's descent into obsession, lacking the complexity needed to engage with diverse identities or broader social hierarchies. Ultimately, the film serves as a character study of psychological fragmentation rather than a tool for social or cultural representation.

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Category Breakdown

Does Number 17 have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or non-straight identities, sticking to the traditional social norms of 1949 Swedish cinema.

How does Number 17 portray gender?

Limited

The story focuses primarily on the male protagonist's psychological journey. Female characters play minor roles and do not challenge traditional gender hierarchies.

How racially and ethnically diverse is Number 17?

Minimal

The cast and setting reflect the homogeneous demographics of 1949 Sweden. There is no indication of racial diversity or varied casting.

How does Number 17 represent religion and culture?

Fair

The story examines the breakdown of social order through the protagonist's detachment from norms. However, it does not critique Western institutions or religion explicitly.

Does Number 17 include disability representation?

Fair

The film centers on the protagonist's mental health struggles, presenting a focused portrayal that goes beyond being a simple plot device.

Present on Screen

Focuses on the protagonist's internal experience of mental health struggles.
Avoids using mental instability as a mere plot device.

Limited or Absent

Female characters have limited roles and do not challenge traditional gender hierarchies.
Reflects the demographic homogeneity of its era with little racial or ethnic diversity.
Does not include LGBTQ+ identities or narratives addressing heteronormativity.

Official Synopsis

The sailor Calle Svensson gets a tip on a cheap hotel from a stranger. But Calle walks to the wrong house. And finds a dead man in the bed, stolen passports and signs of trafficking in a cupboard.

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