
Who's Done it ?
1944

Representation Score
Limited
1969
Director
Masoud Kimiai
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Qeysar is a landmark of the Iranian New Wave that prioritizes social realism over commercial melodrama. It succeeds in establishing a distinct, non-Western cinematic identity by focusing on the gritty textures of Tehran's working class. However, the film is limited by the social constraints of its 1969 setting. It maintains a rigid patriarchal structure where women lack independent ability to act, and it offers no visibility for LGBTQ+ identities or characters with disabilities. Ultimately, the film's strength lies in its sophisticated critique of institutional corruption. While it lacks modern diversity metrics, its subversion of state-sanctioned narratives provides a powerful, localized perspective.
Category Breakdown
The film focuses solely on a traditional masculine underworld and does not include any queer narratives or non-straight gender identities.
Women play mostly peripheral or domestic roles, serving as catalysts for the male protagonist rather than driving the plot themselves. The narrative upholds a patriarchal hierarchy and masculine honor codes.
The film centers on the Iranian working-class experience in Tehran, avoiding a Western-centric perspective by highlighting specific, localized socio-cultural textures.
The narrative critiques established power dynamics and ineffective state institutions, elevating the outsider as a moral agent and presenting vigilante justice as a response to systemic failures.
There is no significant or meaningful depiction of physical or neurodivergent disabilities within the film.
Present on Screen
Limited or Absent
Official Synopsis
A young man's drive to avenge for his sister and brother.

1944

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2014
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