
Cyberpunk
1990

Representation Score
Fair
2000
Not RatedDirector
Mark Neale
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
No Maps for These Territories functions as a specialized intellectual essay rather than a demographic study. Its value lies in its philosophical critique of Western stability and the digital fragmentation of society. While the film provides a profound commentary on the transition into the new millennium, it lacks broad representation of diverse social identities. The narrative is heavily anchored to a single male perspective, limiting the range of represented identities. Ultimately, the documentary prioritizes the deconstruction of societal norms through a technological lens rather than through a diverse cast of characters.
Category Breakdown
The film centers on William Gibson's intellectual journey, which challenges traditional identity structures through his cyberpunk worldview. However, it lacks explicit depictions of queer intimacy or non-cisgender identities.
This is a singular study focusing on a male intellectual. The narrative is entirely centered on Gibson's perspective, resulting in a notable absence of women's roles or subversion of gender hierarchies.
The documentary captures North American geography but does not center on racial diversity. The focus remains on technological evolution and the perspectives of the dominant technological class.
The film excels at critiquing Western institutions and progress. It presents a skeptical, postmodern view of capitalism and the destabilizing effects of rapid digital connectivity and surveillance.
There is no evidence of subjects navigating visible or invisible disabilities. The film does not utilize disability as a central theme or narrative device.
Present on Screen
Limited or Absent
Official Synopsis
On an overcast morning in 1999, William Gibson, father of cyberpunk and author of the cult-classic novel Neuromancer, stepped into a limousine and set off on a road trip around North America. The limo was rigged with digital cameras, a computer, a television, a stereo, and a cell phone. Generated entirely by this four-wheeled media machine, No Maps for These Territories is both an account of Gibson’s life and work and a commentary on the world outside the car windows. Here, the man who coined the word "cyberspace" offers a unique perspective on Western culture at the edge of the new millennium, and in the throes of convulsive, tech-driven change.

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