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«5/4»

«5/4»

1990

Director

Ivan Maximov

Runtime

8 minutes

Average Rating

No ratings yet

Synopsis

A small being transported water to the sound of the very famous song 'Take Five' by The Dave Brubeck Quartet.

Where to Watch

Diversity & Representation

Overall Score

1.7/10

Minimal


Category Breakdown

LGBTQ+ Representation

Minimal

The film features an abstract, non-anthropomorphic being. Because the character lacks human traits, there is no depiction of romantic orientation or queer identity.

Gender Representation

Minimal

The protagonist is a small being without gendered signifiers. The film does not engage with or subvert traditional gender hierarchies through characterization.

Racial & Ethnic Diversity

Minimal

The narrative lacks human characters or identifiable ethnic markers. The focus remains on a singular, abstract entity rather than any specific racial group.

Religious & Cultural Diversity

Fair

The film utilizes an avant-garde structure and jazz-based rhythm. It avoids traditional Western hero-driven tropes but lacks specific socio-political or cultural critique.

Disability Representation

Minimal

There is no portrayal of neurodivergence, physical disability, or sensory impairment. These elements are not central to the film's narrative or character traits.

Strengths

  • The film avoids conventional Western cinematic tropes by utilizing an avant-garde, non-traditional narrative structure.
  • The use of jazz-based rhythm creates a unique, sensory-focused experience that moves away from standard hero-driven plots.

Areas for Improvement

  • The abstract nature of the protagonist prevents any meaningful engagement with gender, race, or sexual orientation.
  • The film lacks the socio-political depth or institutional critique necessary to achieve a higher cultural representation score.

AI Analysis

«5/4» is a minimalist, formalist animation that prioritizes sensory experience over social commentary. The film functions as a visual study of movement synchronized to the jazz composition 'Take Five.' Because the work lacks a human cast, dialogue, or complex social dynamics, it does not provide a platform for intersectional representation. The narrative remains neutral, focusing on a singular task rather than character-driven identity. While the film avoids traditional Western storytelling tropes through its abstract nature, it does not actively engage in the subversion of social hierarchies.

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