
In Search of Darkness: Part II
2020

2011
Director
Ulises Guzmán Reyes
Runtime
88 minutes
Average Rating
No ratings yetSynopsis
Terror, transsexualism, and an eternal cult film. What is on the mind of horror film director Juan López Moctezuma and his fans, Manolo and Lalo, who are not only obsessed with the Mexican horror film 'Alucarda', but also believe in their hearts that they are its true characters? After finding the director in a psychiatric hospital, they kidnap him to make him remember his gloriously twisted past. An unclassifiable documentary film that uses interviews, stock shots and recreations of a past that may only have existed in the nightmares of its protagonists.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film centers on themes of transsexualism and the cult following of a film known for non-normative gender expressions. It validates queer identity by exploring the psychological connection between fans and trans-coded cinematic history.
Gender Representation
The documentary disrupts traditional hierarchies by examining the non-conforming aesthetics of Moctezuma’s work. It prioritizes the deconstruction of standard masculinity and femininity through the lens of cult horror.
Racial & Ethnic Diversity
By focusing on Mexican cinematic history, the film provides a non-Western perspective on the horror genre. It challenges Anglo-centric hegemony by asserting the agency of Mexican creators and audiences.
Religious & Cultural Diversity
The narrative embraces subjective morality and the pursuit of cult art as rebellion. It prioritizes the internal, twisted realities of its characters over standard social institutions and traditional moral compasses.
Disability Representation
The film engages with mental health through the depiction of a director in a psychiatric facility. It treats the intersection of mental instability and artistic obsession as a central, driving narrative force.
Strengths
Areas for Improvement
AI Analysis
Alucardos: Portrait of a Vampire is a transgressive documentary that succeeds by centering non-normative identities and non-Western cinematic history. It moves beyond simple biography to explore how cult art shapes the psychological identities of its followers. The film excels at deconstructing traditional social and gender norms, using the legacy of Mexican horror to challenge mainstream cinematic hegemony. It treats neurodivergence and queer identity not as mere subjects, but as the very fabric of the protagonists' lived experiences. While the film provides a deep dive into psychological obsession, its focus on the fringes of sanity and social norms means it operates within a highly subjective, unconventional framework.

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