The film explores non-normative existence through its cyborg protagonists. However, explicit depictions of queer identity or same-sex intimacy remain largely subtextual or absent within this 1980 cinematic context.

Female characters occupy high-stakes, technologically augmented roles that challenge submissive femininity. While central leadership often gravitates toward male protagonists, the narrative provides significant agency to female cyborgs.

The ensemble features an international cast reflecting a globalized group. The cyborg concept serves as a metaphor for diversity, as characters' origins span various nationalities and cultures.

The story emphasizes individual agency against systemic corruption and monolithic organizations. It leans into secular existentialism, where character value is derived from autonomy rather than traditional religious frameworks.

Cybernetic augmentation serves as a lens to explore both visible and invisible disability. The narrative reframes augmentation as agency, challenging traditional notions of physical normalcy through non-standard bodies.