The film follows a strictly heteronormative structure. It focuses on romantic tensions between the female lead and three male suitors, offering no depictions of same-sex intimacy or non-cisnormative identities.

Maria Chapdelaine is defined by domesticity and her role within the family. While she chooses a partner, her agency is limited to traditional womanhood and preserving the patriarchal lineage.

The film presents an ethnically homogeneous view of the Quebec frontier. It lacks racial plurality, focusing almost exclusively on the French-Canadian identity within a settler context.

The narrative defends agrarian, Catholic, and nationalist values. It frames the Church and traditional family as essential for cultural survival against the perceived disruption of industrial modernity.

There is no evidence of characters with visible or invisible disabilities playing central roles or serving as plot devices in this production.