
The Killing$ of Tony Blair
2016

2019
Director
Justin Pemberton
Runtime
103 minutes
Average Rating
No ratings yetSynopsis
Film adaptation of French economist Thomas Piketty's ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary does not engage with LGBTQ+ identities or non-cisnormative narratives. The focus remains strictly on capital flows and class stratification.
Gender Representation
The film lacks traditional gendered character dynamics. While it addresses how capital affects various demographics, it does not explicitly center on feminist critiques of labor.
Racial & Ethnic Diversity
The film achieves a global perspective by tracing economic trends across various continents. This approach disrupts Eurocentric economic histories by highlighting systemic impacts on a post-colonial scale.
Religious & Cultural Diversity
The narrative provides a robust critique of Western capitalist institutions. It frames current economic systems as inherently oppressive to the working class through a progressive ideological lens.
Disability Representation
There are no specific portrayals of physical or neurodivergent disabilities. The subject matter is limited to macroeconomic data and historical economic trends.
Strengths
Areas for Improvement
AI Analysis
Justin Pemberton’s documentary prioritizes systemic macroeconomic critique over individual identity politics. By utilizing historical archival footage and data, the film deconstructs wealth concentration rather than focusing on character-driven narratives. The work succeeds in providing a globalized view of economic history, moving beyond a purely Western perspective to examine how capital affects different continents. This lends the film a significant degree of cultural and systemic depth. However, the film lacks intersectional depth. It does not address LGBTQ+ identities, specific gender hierarchies, or disability, as the scope is confined to the mechanics of capital and class.

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