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Capital in the Twenty-First Century

Capital in the Twenty-First Century

2019

Director

Justin Pemberton

Runtime

103 minutes

Average Rating

No ratings yet

Synopsis

Film adaptation of French economist Thomas Piketty's ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.

Where to Watch

Diversity & Representation

Overall Score

5.9/10

Fair


Category Breakdown

LGBTQ+ Representation

Minimal

The documentary does not engage with LGBTQ+ identities or non-cisnormative narratives. The focus remains strictly on capital flows and class stratification.

Gender Representation

Fair

The film lacks traditional gendered character dynamics. While it addresses how capital affects various demographics, it does not explicitly center on feminist critiques of labor.

Racial & Ethnic Diversity

Good

The film achieves a global perspective by tracing economic trends across various continents. This approach disrupts Eurocentric economic histories by highlighting systemic impacts on a post-colonial scale.

Religious & Cultural Diversity

Excellent

The narrative provides a robust critique of Western capitalist institutions. It frames current economic systems as inherently oppressive to the working class through a progressive ideological lens.

Disability Representation

Minimal

There are no specific portrayals of physical or neurodivergent disabilities. The subject matter is limited to macroeconomic data and historical economic trends.

Strengths

  • Provides a global perspective that disrupts Eurocentric economic histories.
  • Offers a robust, progressive critique of Western capitalist institutions.
  • Uses a data-driven approach to challenge meritocratic myths of modern capitalism.

Areas for Improvement

  • Lacks engagement with LGBTQ+ identities or queer narratives.
  • Does not explicitly center feminist critiques or gendered labor dynamics.
  • Provides no representation or discussion regarding physical or neurodivergent disabilities.

AI Analysis

Justin Pemberton’s documentary prioritizes systemic macroeconomic critique over individual identity politics. By utilizing historical archival footage and data, the film deconstructs wealth concentration rather than focusing on character-driven narratives. The work succeeds in providing a globalized view of economic history, moving beyond a purely Western perspective to examine how capital affects different continents. This lends the film a significant degree of cultural and systemic depth. However, the film lacks intersectional depth. It does not address LGBTQ+ identities, specific gender hierarchies, or disability, as the scope is confined to the mechanics of capital and class.

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