The film lacks explicit LGBTQ+ characters or non-cisnormative identities. Interpersonal dynamics in Underland follow traditional heteronormative frameworks without queer-coded arcs.

Alice Kingsleigh serves as a proactive agent of change, avoiding the damsel in distress trope. The film passes the Bechdel test through meaningful interactions between female characters.

The ensemble is predominantly white, mirroring a Victorian-inspired aesthetic. There is a lack of color-blind casting or significant racial blending within the central groups.

The narrative operates within a secular fantasy framework, avoiding religious or traditional Western institutions. It focuses on personal memory rather than systemic critique.

No intentional focus on visible or invisible disabilities exists. Eccentric behaviors are framed as whimsical traits rather than meaningful explorations of neurodivergence or physical disability.