
The Exorcist
2022

2015
Director
Eduardo Schuldt
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
THE RING goes ‘found footage’ Peruvian in a terrific example of the continually igniting South American new horror wave. A group of media students embark on a documentary project covering ‘Reaction Videos’ - filming people watching intense shock footage online to monitor their psychological effect. And they find one example so terrifying the viewers have all died in mysterious circumstances. But what exactly is on this gruesome Internet footage? Their search leads to an obscure corner of cyberspace known as the Dark Web, a Quechua curse dating from the Spanish Inquisition and a demonic power they cannot escape from.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The narrative focuses on media consumption and a mysterious curse rather than romantic or identity-driven arcs.
Gender Representation
The story centers on a group of media students, though specific gender roles are not detailed. The ensemble format suggests a collaborative dynamic rather than a strictly patriarchal structure.
Racial & Ethnic Diversity
The film excels by centering a Peruvian narrative and Quechua mythology. This integration of indigenous history disrupts Anglo-centric horror tropes and highlights the persistence of pre-colonial identities.
Religious & Cultural Diversity
By framing the Spanish Inquisition as a source of demonic threat, the film challenges Western historical perspectives. It effectively blends modern digital culture with ancient indigenous mysticism.
Disability Representation
There is no evidence of characters with visible or invisible disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
The Entity stands out as a sophisticated entry in the South American horror wave, primarily due to its deep engagement with indigenous history. By weaving Quechua mythology and the trauma of the Spanish Inquisition into a modern found-footage setting, the film moves beyond standard jump scares to explore colonial legacies. While the film is culturally rich, it remains narrow in its social scope. The lack of visible LGBTQ+ representation or specific gendered character studies prevents it from achieving a higher score in those categories. Ultimately, the film's strength lies in its ability to deconstruct Western-centric horror. It replaces traditional tropes with a non-Western spiritual framework, making the historical and the digital feel equally haunting.

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