The film lacks explicit LGBTQ+ characters or narratives that critique heteronormativity. The story focuses primarily on a maternal figure and a supernatural entity.

Fernanda, a psychologist, occupies a central role with high agency. This disrupts common horror tropes by placing a woman in a position of intellectual leadership rather than a passive victim.

By setting the story in Peru, the film moves away from Anglo-centric horror frameworks. This geographic choice challenges the dominance of Western-centric supernatural tropes.

The narrative engages with non-Western spiritualism and localized folklore through a wicked sect. This approach promotes cultural pluralism by centering Peruvian spiritual contexts.

Although the protagonist is a psychologist, there is no evidence that neurodivergence or mental health conditions serve as central themes of identity or agency.