
Break
2009

2008
Director
Tony Maylam
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Stephanie Komack was a high-class hooker and assassin for the Italian Mob. Now working in London as a waitress, and a single mother to her seven year old daughter, the Mob track Stephanie down and persuade her to do one last job. The hit goes wrong and Stephanie soon realises the stark reality of her failure. They snatch her daughter as punishment, but didn't figure on Stephanie's capacity for revenge! Inspired by true events, JOURNAL OF A CONTRACT KILLER is the gripping story of a woman driven to turn on her paymasters with devastating consequences.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The narrative focuses on a heterosexual maternal bond and conflict with the Italian Mob. There is no visible presence of non-cisnormative identities.
Gender Representation
Stephanie Komack disrupts gender hierarchies by acting as a professional assassin. Her transition from a coerced waitress to an active agent of retribution subverts submissive femininity.
Racial & Ethnic Diversity
The story centers on the Italian Mob, highlighting specific European ethnic dynamics. However, there is no evidence of a non-white majority cast or intersectional racial diversity.
Religious & Cultural Diversity
The film explores subjective morality and the breakdown of institutional loyalty. It critiques established power structures through the protagonist's decision to turn on her paymasters.
Disability Representation
The available information provides no mention of characters possessing visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Journal of a Contract Killer is a character-driven crime thriller that finds its strength in subverting traditional gender roles. By centering on a female assassin, the film grants agency to a woman typically sidelined in exploitation cinema. However, the film lacks broader intersectional complexity. The narrative remains focused on a specific European ethnic subgroup and a heterosexual framework, missing opportunities for diverse representation. Ultimately, the film prioritizes individual empowerment and maternal instinct over a systemic critique of identity, resulting in a narrow but focused character study.

2009

2009

2007

2006

2005
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.