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The film follows 17th-century social structures and uses 1960s comedic clichés. It does not include any LGBTQ+ representation or non-binary gender identities.

Female characters like Lisa Gastoni and Carla Marlier play important roles, but their influence is shaped by their relationships with men. They primarily serve romantic interests or social norms.

The cast is mainly composed of white Europeans, reflecting the historical homogeneity of 17th-century France. There is no effort to include diverse ethnicities or race-bend casting.

The story centers on Western ideals of honor and nobility. Although con men disrupt order, the plot ultimately upholds the existing monarchical system.

The film does not focus on characters with physical or neurodivergent disabilities.