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2019
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Los muertos no se tocan, nene
Representation Score
2.8/10
Limited
2011
Director
José Luis García Sánchez
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Los muertos no se tocan, nene is a period comedy that looks at the social dynamics of 1959 Logroño. The film focuses on the grotesque situations following the death of a local authority figure. The narrative heavily relies on the social hierarchies of the late Francoist era. It emphasizes observing community structures rather than deconstructing them through progressive or perspectives that reflect multiple aspects of identity. Ultimately, the film lacks visible ability to act for underrepresented groups. It adheres to traditional roles and homogeneous demographics typical of its historical and regional context.
Category Breakdown
Does Los muertos no se tocan, nene have LGBTQ+ representation?
The film doesn't include any visible LGBTQ narratives or non-straight identities. Set in 1959, it operates within the social norms of that time.
How does Los muertos no se tocan, nene portray gender?
The story centers on male authority figures such as the mayor and a deceased local official. This structure highlights traditional hierarchies and domestic roles.
How racially and ethnically diverse is Los muertos no se tocan, nene?
As a localized Spanish period piece, the cast is likely ethnically uniform. The film lacks intentional ethnic blending or diverse casting.
How does Los muertos no se tocan, nene represent religion and culture?
The story examines the social absurdities of a traditional community in Logroño. It focuses on established social hierarchies and the impact of new technology.
Does Los muertos no se tocan, nene include disability representation?
There is no information about the depiction of physical or neurodivergent characters in this work.
Present on Screen
- Offers a specific glimpse into the social dynamics of 1950s Spain.
- Explores the blend of traditional community structures and emerging modern technology.
Limited or Absent
- Lacks representation of LGBTQ+ identities or queer ability to act.
- Focuses on traditional gender hierarchies and male-dominated leadership roles.
- Shows a lack of racial and ethnic diversity within the localized setting.
Official Synopsis
Logroño, 1959. The death of a local authority creates a double expectation in his family, the coming of the TV set the deceased bought and the mayor to attend the funeral. His grandson (Airas Brispo) will witness the grotesque situations.
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