
Still Raining, Still Dreaming
2009

Representation Score
Fair
2007
Director
Phil Solomon
Runtime
13 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Rehearsals for Retirement transforms commercial software into a meditative art form. It achieves this by turning a hyper-masculine, high-energy gaming environment into a space of stillness and poetic beauty. The film's strength lies in its systemic subversion, where it replaces the typical 'victor' framework of video games with a nuanced exploration of loss and the human condition, challenging conventional consumerist expectations. However, the work lacks explicit demographic markers, and its abstract approach means it doesn't provide clear character-driven representation in several categories, limiting its overall diversity score.
Category Breakdown
The film explores profound grief and intimate connections after the death of a lifelong friend. Although it moves away from typical male clichés, it doesn't explicitly depict LGBTQ+ identities or specific queer narratives.
Solomon challenges the aggressive masculinity typically found in Grand Theft Auto settings by replacing simulated violence with vulnerability. However, specific gender dynamics among characters are not clearly defined.
Liberty City serves as a multicultural stand-in for New York City. The film uses a race-blind virtual environment to explore universal themes, avoiding racial stereotypes present in the source material.
The film strongly critiques Western hyper-capitalism. By repurposing a commercial game for mourning, it prioritizes existentialism and subjective morality over traditional ideals of progress.
There is no information about the portrayal of physical or neurodivergent disabilities in the work.
Present on Screen
Limited or Absent
Official Synopsis
Part of "In Memoriam", a body of work comprising several videos, shot entirely within the virtual world of the Grand Theft Auto video game. Solomon transformed Liberty City, the ersatz metropolis based on New York City in which the game is set, into a reflective space of stillness: devoid of players, full of melancholy, nostalgia, loss, grief, and instances of compelling poetic beauty. This work was created in response to the passing of Solomon's lifelong friend, Mark LaPore, at the age of 53, on September 11, 2005.

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