The production relies on heteronormative archetypes. There is no evidence of non-cisnormative gender identities or same-sex intimacy within the matches or character arcs.

The roster is almost exclusively male, reinforcing traditional masculine hierarchies. Female characters do not drive the plot or subvert patriarchal structures.

Performers like Junkyard Dog and King Tonga provide a non-white presence. However, these portrayals often function within era-specific tropes rather than complex, intersectional storytelling.

The film operates within a framework of Western spectacle and binary morality. It lacks moral relativism or the deconstruction of Western institutions.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency. The focus remains strictly on able-bodied physical performance.