
You Get Me
2017

1996
RDirector
Anne Goursaud
Runtime
106 minutes
Average Rating
No ratings yetSynopsis
A young and naive college art student becomes obsessed with assuming the identity and personality of a departed coed who used to live in her room, and in so doing causes complications that result in two men, a student and her art professor, lusting after her.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The narrative focuses on heteronormative desire and a psychological obsession with a deceased peer. It lacks explicit non-cisnormative identities or critiques of heteronormativity.
Gender Representation
The film subverts traditional hierarchies by centering female agency and psychological dominance. The protagonist manipulates both a peer and an authority figure, challenging conventional male leadership.
Racial & Ethnic Diversity
The film appears to follow homogeneous casting norms typical of mid-90s thrillers. There is no evidence of a diverse cast or non-Anglo-Saxon characters.
Religious & Cultural Diversity
The story explores identity as fluid and performative through the protagonist's borrowed persona. It prioritizes individual psychological impulses over traditional moral or institutional frameworks.
Disability Representation
There is no mention of characters navigating physical, neurodivergent, or mental health disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
Poison Ivy 2: Lily functions as a psychological character study that prioritizes the subversion of gendered power structures. The protagonist's ability to command attention from men disrupts traditional tropes of female passivity, offering a complex look at agency. However, the film's impact is limited by a lack of intersectional depth. The casting appears homogeneous, adhering to the era's standard collegiate social milieu without visible racial diversity. Furthermore, the exploration of identity remains centered on psychological obsession rather than queer or non-cisnormative perspectives. Ultimately, while the film succeeds in deconstructing the stability of the 'self' and gendered hierarchies, it fails to engage with broader social or cultural diversity.

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