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The Triplets of Belleville

Name: The Triplets of Belleville
Director: Sylvain Chomet
Released: 2003
Duration: 80 min

Representation Score

7.6/10

Good

2003

PG-13

Director

Sylvain Chomet

Runtime

80 minutes

Average Rating

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New Showbiz Analysis

The film stands out by subverting traditional male hero clichés through Madame Souza's ability to act and resilience. She operates independently of male validation, disrupting gender hierarchies. However, the work remains confined to European aesthetics and lacks explicit identity-based representation. The absence of LGBTQ+ characters and diverse the way different parts of someone's identity overlap limits its social diversity score. Ultimately, the film’s strength lies in its institutional critique and celebration of unconventional physicalities, valuing character's ability to drive the story over social norms.

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Category Breakdown

Does The Triplets of Belleville have LGBTQ+ representation?

Limited

The film does not include explicit LGBTQ+ characters or non-cisgender identities. Its visual style emphasizes caricature and grotesque realism rather than focusing on identity.

How does The Triplets of Belleville portray gender?

Excellent

Madame Souza drives the narrative with great resilience and independence. The film avoids traditional male hero clichés by centering on an elderly woman and an independent female group.

How racially and ethnically diverse is The Triplets of Belleville?

Fair

The setting adheres closely to European aesthetic traditions and stylized retro-French landscapes. There is a lack of explicit racial or ethnic diversity in the character designs.

How does The Triplets of Belleville represent religion and culture?

Excellent

The story sharply critiques commercialized Western institutions like the Tour de France. It highlights individual obsession over the superficial spectacle of modern capitalism.

Does The Triplets of Belleville include disability representation?

Good

Physical eccentricities and aging bodies are shown who play a significant role in driving the story through extreme caricature. However, the film lacks nuanced depictions of neurodivergence or chronic illness.

Present on Screen

Strong subversion of traditional male hero clichés through Madame Souza's ability to act.
Empowering depiction of an aging female collective in the Belleville Sisters.
Sophisticated critique of hyper-commercialized modern Western institutions and capitalism.

Limited or Absent

Lack of explicit LGBTQ+ representation or non-cisgender identities.
Limited racial and ethnic diversity within the stylized European setting.
Absence of nuanced depictions regarding neurodivergence or chronic illness.

Official Synopsis

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

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