The film lacks explicit LGBTQ+ characters or narratives. Its focus on puppet-based surrealism prioritizes the grotesque and mechanical over interpersonal identity politics.

The narrative centers on a puppet on a trike and a bird-man. Because these characters are non-human objects, traditional gender hierarchies and agency are largely bypassed.

The use of non-human entities avoids racial stereotyping but lacks intentional ethnic inclusion. The aesthetic leans toward a European avant-garde tradition.

The surrealist approach disrupts conventional Western moralism by prioritizing atmosphere over structured religious or patriotic themes. It favors subjective morality and deconstructed reality.

The film engages with themes of bodily autonomy through the uncanny nature of puppets. It offers a space for non-normative sensory experiences via abstraction.