The film does not explicitly center LGBTQ+ identities or non-cisnormative expressions. Character arcs focus on collective mischief rather than explorations of sexual orientation. While it lacks queer narratives, it avoids derogatory tropes.

The narrative effectively subverts traditional hierarchies by centering an all-female ensemble. These characters act as the primary drivers of agency, frequently outmaneuvering inept male figures. This inversion elevates female agency through disruptive roles.

The student body features some ethnic variety, moving away from a strictly homogeneous depiction. However, race is not a central thematic element. Diversity appears incidental to the comedic setting rather than a tool for intersectional exploration.

The film celebrates rebellion against rigid social structures and Western institutions. It portrays law enforcement and administration as obstacles to be dismantled. This framing positions rule-breaking as a form of empowerment.

There is no significant evidence of characters with disabilities being portrayed with agency. The focus remains on high-energy slapstick antics. The film does not meaningfully integrate neurodivergence or physical disability into its arcs.