
Delete History
2020

Representation Score
Good
2020
Director
Vianney Lebasque, Marc Fitoussi, Tristan Aurouet, Thomas Bidegain, Cyril Gelblat
Runtime
108 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Selfie operates as a contemporary social satire using a diverse ensemble to reflect the anxieties of the digital age. It successfully moves away from a monolithic casting approach by incorporating a multi-ethnic cast that mirrors modern urban realities. However, the film's focus remains on universal social satire rather than a concerted effort to dismantle systemic hierarchies. The narrative structure prioritizes comedic observations over deep, progressive political frameworks. While the film touches on psychological struggles, it lacks the depth required to move beyond situational humor. It functions more as a mirror to societal pressures than a tool for social deconstruction.
Category Breakdown
The film features an ensemble cast exploring the anxieties of the digital age. There is no clear evidence of intentional queer-centric storytelling or direct critiques of the assumption that everyone is straight or cisgender.
The narrative centers on social breakdowns in various settings like work, school, and personal relationships. The inclusion of performers like Blanche Gardin suggests a potential for challenging traditional feminine roles through satire.
The casting includes actors such as Idir Chender and Mariama Gueye, reflecting a diverse and pluralistic view of modern French society rather than a monolithic approach.
The story critiques the psychological impact of hyper-connected capitalism and digital social structures. It serves as social satire without presenting explicit anti-Western or overtly anti-capitalist ideologies.
Themes of digital addiction and nervous breakdowns may touch on mental health issues. However, these elements risk being used as comedic plot devices rather than nuanced explorations of neurodivergence.
Present on Screen
Limited or Absent
Official Synopsis
In a world where digital technology has invaded our lives, some of us end up cracking. Addict or technophobe, with family or at school, at work or in love, SELFIE tells the comic and wild destinies of Homo Numericus on the verge of a nervous breakdown.

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