The film lacks explicit queer romantic arcs or non-cisnormative identities. The central bond between the boy and the female ghost remains spiritual or platonic.

A male protagonist and a female ghost form a central partnership. While the female character drives the investigation, the film follows standard character distributions.

The production features a predominantly East Asian cast. It maintains cultural homogeneity consistent with its South Korean origin and setting.

The story utilizes localized folklore and supernatural frameworks. It prioritizes non-secular spirituality over Western religious structures to build its mystery.

The protagonist's ability to see ghosts serves as a metaphor for social alienation. However, this supernatural trait functions more as a plot device than a disability portrayal.