
It’s All Good
2026

2025
Director
Lola Doillon
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
Katia, a 35-year-old researcher in a documentary production company, has a chaotic way of navigating her relationship with Fred, her boyfriend. When she takes part in a new project, she finally puts her difference into words – and this revelation will turn their life upside down.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The story focuses on a heterosexual relationship between Katia and Fred. While the film explores themes of difference that may challenge heteronormative norms, there is no explicit confirmation of queer identities.
Gender Representation
Katia is portrayed with significant intellectual agency as a researcher. Her professional identity and internal revelations drive the plot, subverting the typical role of women in romantic comedies.
Racial & Ethnic Diversity
The cast features diverse performers like Irina Muluile. This inclusion, set within a professional documentary environment, suggests a social landscape that extends beyond traditional Eurocentric perspectives.
Religious & Cultural Diversity
The film prioritizes individual lived experience and subjective truth. By centering on a personal revelation, it critiques rigid social structures in favor of authentic, unconventional modes of existence.
Disability Representation
The film centers on neurodivergence, specifically autism. Katia is depicted as a complex individual whose difference is a fundamental part of her identity and agency rather than a tragedy.
Strengths
Areas for Improvement
AI Analysis
Lola Doillon’s film moves beyond the standard romantic comedy by centering neurodivergent agency. Instead of treating Katia's autism as a mere plot device, the narrative uses her professional and personal revelations to drive the story forward. The film succeeds in presenting a protagonist with intellectual autonomy. By framing her journey through her work in documentary production, the story avoids making her a passive romantic foil, instead highlighting her cognitive identity. While the film excels in disability representation, it remains more conventional in its romantic and racial depictions. It offers a multifaceted social landscape but lacks explicit queer narratives or deep religious exploration.

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2012

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2012
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