
The One and Only
2002

Representation Score
Good
1999
Director
Susanne Bier
Runtime
106 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The One and Only is a character-driven film that emphasizes psychological realism over broad demographic representation. It effectively dismantles social norms, especially concerning the fragility of marriage and unstable traditional masculinity. However, the film lacks diversity in terms of race and sexual orientation. Its setting and casting reflect a culturally homogeneous Scandinavian context typical of its time. Overall, the film's strength lies in its exploration of moral subjectivity and the breakdown of the nuclear family, rather than offering a diverse social landscape.
Category Breakdown
The film centers on heterosexual relationships and infidelity, without featuring any visible LGBTQ+ characters or non-conforming gender identities. It adheres to the conventions of late-90s romantic comedies.
The story challenges traditional gender roles by focusing on the male protagonist's emotional instability. It avoids portraying him as a stable provider, instead highlighting his mid-life crisis.
Set in Denmark with a predominantly white cast, the film reflects the demographic homogeneity of late-90s Scandinavian productions. There is no significant racial diversity.
The film questions the idealized Western family structure by emphasizing individual desires over social or marital obligations. It presents a morally relative perspective on family life.
The film does not focus on physical or neurodivergent disabilities. The characters' challenges are primarily psychological and emotional rather than being driven by disability-related issues.
Present on Screen
Limited or Absent
Official Synopsis
When kitchen fitter Niller comes to install Sus's new suite, their immediate attraction to one another proves a sweet escape from both of their problematic relationships.

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