
We Are the Nobles
2013

Representation Score
Fair
2016
Director
Felipe Martínez Amador
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Malcriados functions primarily as a class-based satire. It excels in deconstructing the 'spoiled heir' archetype and critiquing the insulation of the upper class through a regional, non-Western lens. However, the film lacks depth in representing LGBTQ+ identities or disability. The narrative remains tethered to traditional social frameworks, focusing narrowly on socioeconomic subversion over broader identity issues. Ultimately, while the film succeeds as a critique of economic privilege, it falls short in engaging with a diverse range of systemic identity norms.
Category Breakdown
The film emphasizes familial structures and class struggles. It does not include non-cisgender identities or narratives that question the assumption that everyone is straight.
The conflict revolves around paternal authority and the forced maturation of adult children. Power dynamics seem rooted in traditional patriarchal structures rather than challenging gender hierarchies.
As a Colombian production, the film centers a Latin American perspective. It offers a non-Anglo-centric lens, though specific layers reflecting multiple aspects of identity remain unclear.
The narrative critiques capitalism and the superficiality of wealth. It explores the fragility of class-based status through a lens of situational ethics and subjective morality.
There are no visible or invisible disabilities integrated into the primary character arcs or plot drivers.
Present on Screen
Limited or Absent
Official Synopsis
This is a Colombian remake of the Mexican movie "Nosotros los Nobles". Three rich adult children are tricked by their father into believing that they are bankrupt and have to go into hiding in an attempt to get them to become more self-reliant.

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