The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The narrative focus remains centered on the tension between a priest and a female skeptic.

Barny subverts traditional hierarchies by acting as an intellectual antagonist to male authority. She possesses significant agency, using her skepticism to actively confront religious and patriarchal structures.

Set in a small French town during the German occupation, the film likely reflects the era's demographics. However, the setting suggests a focus on a homogeneous European cast.

The film prioritizes secularism by centering a communist, atheist protagonist. It frames religious institutions as entities to be interrogated and deconstructed rather than revered.

There is no mention of characters with visible or invisible disabilities within the narrative.