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Vampires

Name: Vampires
Director: Vincent Lannoo
Released: 2010
Duration: 88 min

Representation Score

5.0/10

Fair

2010

Director

Vincent Lannoo

Runtime

88 minutes

Average Rating

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New Showbiz Analysis

Vampires (2010) is a dark comedy that uses the mockumentary format to challenge traditional social norms and morality. The film effectively critiques cultural and ethical norms while exploring unconventional relationships and gender performance. However, it lacks meaningful representation of racial diversity and disabilities, focusing instead on a homogeneous group. Ultimately, the work emphasizes moral relativism, prioritizing the chaotic existence of its characters over conventional social responsibility.

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Category Breakdown

Does Vampires have LGBTQ+ representation?

Fair

The film explores Samson's sexual fluidity and non-traditional relationships, challenging the boundaries of heteronormativity. However, it lacks explicit LGBTQ+ character arcs.

How does Vampires portray gender?

Good

Grace's attempt to perform femininity through pink clothing and a fake tan critiques gender performance. The power dynamics between George and Bertha challenge traditional patriarchal roles.

How racially and ethnically diverse is Vampires?

Limited

The film focuses on a relatively homogeneous Belgian community, lacking significant racial or ethnic diversity among the cast.

How does Vampires represent religion and culture?

Good

The film deconstructs Western ethics by rejecting human social contracts and marriage, prioritizing a subjective morality over traditional Christian or civic ideals.

Does Vampires include disability representation?

Minimal

The film provides no evidence regarding the portrayal of visible or invisible disabilities. The vampiric condition is treated as a biological species distinction.

Present on Screen

Effective deconstruction of traditional Western social and moral institutions.
Nuanced critique of gender performance through Grace's character arc.
Subversive exploration of non-traditional relationship structures.

Limited or Absent

Lack of significant racial and ethnic diversity within the cast.
Absence of representation regarding neurodivergence or physical disabilities.
Missed opportunity for explicit, identity-driven LGBTQ+ character development.

Official Synopsis

Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.

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