
The Hairdresser
1905

Representation Score
Minimal
1903
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1903 documentary short film is a simple study of early performance art. It captures a single performer changing from a full costume to a state of partial undress in a staged dressing room setting. The film's main strength lies in its portrayal of women's ability to drive the story. The performer directly addresses the camera with mischief, controlling the viewer's gaze rather than being a passive object. However, the film is constrained by its historical context. It lacks diverse representation and any critical examination of the social structures of the time, functioning primarily as a straightforward genre piece.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or non-assuming gender matches what was assigned at birth identities. It follows the traditional burlesque performance styles of the early 20th century.
The performer actively engages the camera with a playful and mischievous demeanor, showing her control over the scene. She challenges the passive female gaze but remains within the gender norms of the time.
The film includes a dark-haired woman, but there is no clear indication of diverse racial or ethnic backgrounds. It lacks varied casting and representation of non-Anglo-Saxon cultures.
This work serves as a historical record of early commercial entertainment. It does not engage with religious or political ideologies and offers no complex cultural analysis.
There is no evidence of characters with visible or invisible disabilities in this performance.
Present on Screen
Limited or Absent
Official Synopsis
The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.

1905

2015

1920

1897

1903
1903
1904
1897
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