Tarzan and the Lost City
1998
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Diversity score: 2.9 out of 10
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Jumanji: Level One
2021
Runtime
23 minutes
Average Rating
No ratings yetSynopsis
Set in 1869, two children receive a mysterious game after their father goes missing in the jungles of Africa. They unravel both the secret of their father’s disappearance and the origin of Jumanji. See how it all began.
Where to Watch
Diversity & Representation
Overall Score
4.8/10
Fair
Category Breakdown
LGBTQ+ Representation
The film provides no evidence of LGBTQ+ characters or non-cisnormative identities. There is no visible critique of heteronormativity within the narrative.
Gender Representation
The story centers on children searching for a missing father in a 19th-century setting. This framework suggests a reliance on traditional patriarchal structures and conventional adventure tropes.
Racial & Ethnic Diversity
Set in the African jungles of 1869, the film engages with non-Western landscapes. However, it lacks confirmation of a non-white majority cast or high-agency characters of color.
Religious & Cultural Diversity
The period setting aligns with eras of Western expansion and colonial structures. The narrative follows a traditional mystery format without deconstructing these historical norms.
Disability Representation
There is no information regarding the inclusion of neurodivergent characters or individuals with physical or sensory disabilities.
Strengths
- The 1869 African jungle setting provides an inherent engagement with non-Western landscapes.
Areas for Improvement
- The film lacks visible markers of intersectional complexity or narrative subversion.
- The story relies on traditional patriarchal structures and conventional adventure tropes.
- There is no evidence of characters of color possessing high agency within the colonial-era context.
AI Analysis
Jumanji: Level One functions as a traditional period adventure set in 1869. The narrative architecture prioritizes historical mystery and setting over the disruption of social hierarchies or intersectional complexity. The film lacks visible markers of intentional narrative subversion. While the African setting provides a non-Western backdrop, the story appears to reinforce established historical norms rather than challenging them. Overall, the production leans into conventional tropes, particularly regarding gender and colonial-era structures, resulting in a moderate-to-low diversity profile.
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