
Ram Dass: Fierce Grace
2001

Representation Score
Excellent
2017
PG-13Director
Derek Peck
Runtime
31 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Ram Dass, Going Home is a meditative study of identity that challenges traditional Western hierarchies regarding religion and physical disability. The film's strength lies in its promotion of a fluid, multi-layered understanding of the human experience. It critiques rigid institutional frameworks through a poetic lens. While the documentary lacks a broad demographic ensemble, its thematic depth provides a meaningful exploration of integrating diverse spiritual and physical realities.
Category Breakdown
The film lacks explicit LGBTQ+ narratives or characters. However, its focus on 1960s counter-culture suggests an environment that challenges traditional heterosexual norms.
The narrative centers on a single male figure, which may reinforce traditional patriarchal views. However, the film subverts typical masculine stereotypes by emphasizing vulnerability and love.
The film explores the intersection of Western consciousness and Eastern spiritual traditions, facilitating meaningful cross-cultural dialogue.
The film prioritizes non-traditional spiritualities over institutionalized religion, emphasizing personal experience and the soul's journey rather than rigid dogma.
Ram Dass’s life after a stroke is shown who play a significant role in driving the story. The film avoids 'inspiration porn' by treating neurological changes as part of an evolving identity.
Present on Screen
Limited or Absent
Official Synopsis
Ram Dass is one of the most important cultural figures from the 1960s and 70s. A pyschedelic pioneer, author of Be Here Now, beloved spiritual teacher, and outspoken advocate for death-and-dying awareness, Ram Dass is now himself approaching the end of life. Since suffering a life-changing stroke twenty years ago, he has been living at his home on Maui and deepening his spiritual practice — which is centered on love and his idea of merging with his surroundings and all living things. Shot in a nuanced cinematic style, the film is an intimate summary of his life learning and awareness, and is ultimately a poetic meditation on life, death, and the soul’s journey home.

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