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Love Among Thieves

Name: Love Among Thieves
Director: Roger Young
Released: 1987
Duration: 100 min

Representation Score

1.7/10

Minimal

1987

Director

Roger Young

Runtime

100 minutes

Average Rating

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New Showbiz Analysis

Love Among Thieves is a classic 1980s adventure-romance that prioritizes genre escapism over social complexity. The narrative relies heavily on established clichés, focusing on a heterosexual romance and traditional power dynamics. While Caroline DuLac is an active protagonist, her role is driven by a classic rescue mission. The Latin American setting provides an atmospheric backdrop but lacks nuanced, actively leading roles. Ultimately, the film reinforces conventional hierarchies without challenging systemic norms.

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Category Breakdown

Does Love Among Thieves have LGBTQ+ representation?

Minimal

The film centers on a heterosexual relationship without any representation of non-straight or non-cisgender identities.

How does Love Among Thieves portray gender?

Limited

Caroline DuLac, the female lead, plays a significant role as a thief but her motivations are tied to rescuing a male fiancé, reflecting traditional power dynamics.

How racially and ethnically diverse is Love Among Thieves?

Limited

The cast is predominantly white and European-descended, despite the Latin American setting which includes Mexican bandits as mere background.

How does Love Among Thieves represent religion and culture?

Limited

The story focuses on gentleman-thief and romantic clichés, avoiding socio-political commentary and instead offering escapism typical of 1980s adventure films.

Does Love Among Thieves include disability representation?

Minimal

There is no representation of physical or neurodivergent disabilities among the characters.

Present on Screen

Caroline DuLac displays significant competence and ability to act as a high-stakes thief.

Limited or Absent

The film relies on traditional gender hierarchies and heterosexual relationships.
Racial representation is limited to atmospheric characters rather than nuanced, actively leading roles.
The narrative lacks depth in addressing systemic social issues.

Official Synopsis

Caroline DuLac, a baroness and concert pianist, steals three jewel-encrusted Faberge eggs from a San Francisco museum. The eggs were demanded as ransom for her kidnapped fiancé. She boards a plane for the Latin American city of Ladera, as per instructions, and is met by Mike Chambers. Caroline first believes that Mike is one of the kidnappers, until a mysterious man in a trench-coat tries to kill her, and Mike comes to the rescue. They are then both captured by a band of Mexican bandits, who also may or may not be part of the scheme.

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