
The Dead Come Home
1989

Representation Score
Limited
1993
Director
Phil Herman
Runtime
97 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Burglar from Hell operates strictly within the confines of early 90s low-budget horror clichés. The narrative prioritizes genre-standard conflicts, such as home invasion and supernatural resurrections, over any meaningful social commentary or multi-layered character development. The film lacks intentionality in challenging social norms. Instead, it relies on a homogeneous cast and a localized domestic conflict that avoids exploring diverse identities or systemic power dynamics. Ultimately, the production serves as a traditional genre piece. It focuses on the mechanics of a horror plot rather than providing nuanced studies of race, gender, or LGBTQ+ identity.
Category Breakdown
The film focuses on a recurring conflict between a deceased intruder and teenagers. There is no evidence of non-straight relationships or critiques of the assumption that everyone is straight.
An elderly female character takes control by killing an intruder. However, her role is defined by a singular act of violence rather than a broader challenge to gender norms.
The narrative follows a conventional, homogeneous social structure. There is no indication of a non-white cast or the use of diverse metaphors.
The plot utilizes supernatural themes like séances but remains rooted in Western clichés of home invasion. It functions as a standard cautionary tale regarding domestic sanctity.
While an elderly protagonist is present, there is no evidence of age-related decline or physical disability being used as a narrative device.
Present on Screen
Limited or Absent
Official Synopsis
When a burglar tries robbing an old lady's house, she winds up killing him and burying him in the back yard. After she dies some teenagers move into her house, not knowing about the burglar buried out back. One night they hold a séance and, unbeknownst to them, the burglar comes back to life. Complications ensue.

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