
Something Better to Come
2014

Representation Score
Excellent
2011
Not RatedDirector
Benjamin Kahlmeyer
Runtime
75 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Meanwhile in Mamelodi succeeds by moving beyond ethnographic clichés to provide a character-driven portrait of the Mtsweni family. It avoids the pitfalls of 'poverty porn' by focusing on individual ability to act amidst systemic hardship. The film's greatest achievement is its authentic centering of Black South African life and the nuanced depiction of mental health. By prioritizing the internal lives of its subjects, it disrupts conventional Western views of township existence. While the film lacks explicit LGBTQ+ representation, its sophisticated handling of gender and disability creates a deeply inclusive and humanizing documentary experience.
Category Breakdown
The film focuses on the domestic dynamics of a heterosexual family unit. It lacks explicit depictions of LGBTQ+ identities, resulting in a baseline level of inclusion.
Female perspectives are central, highlighting Mosquito's intellectual role and her mother's mental health struggles. This approach avoids treating women as mere background figures in the household.
The documentary excels by authentically centering Black South African life. It avoids an outsider's perspective, allowing the Mtsweni family to drive the emotional arc of the film.
The narrative explores the tension between local township realities and the globalized capitalism of the World Cup. It critiques systemic infrastructure failures through a non-Western lens.
The mother's mental health struggles provide a meaningful portrayal of invisible disability. Her condition is integrated into daily life with dignity rather than being used as spectacle.
Present on Screen
Limited or Absent
Official Synopsis
Set against the raucous backdrop of the 2010 World Cup, MEANWHILE IN MAMELODI is a beautifully crafted portrait of a place and one family’s daily life inside it. The Mtsweni family lives in the Pretoria Township of the title, in the district known as Extension 11. Their world is a ramshackle collection of corrugated tin dwellings and makeshift shops, open sewers littered with debris and red-earth rectangles filled with soccer-playing children and teens. Seventeen-year-old Mosquito is one of those kids. As she studies for math tests, flirts with boys and shops with her best friend, her father Steven prepares his "tuck shop" for the promise of cash-flush tourists. Meanwhile, his wife struggles with mental illness. The Mtswenis' lives unfold as the Cup brings new hope to the ravaged town. Despite the poverty around her, Mosquito insists this is not her parents' country. She is the face of South Africa's future - part of "a new generation free to do all things."

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