The story follows a traditional romantic arc between the hero and a noblewoman. There is no explicit depiction of same-sex intimacy or non-cisnormative identities.

Jocelyn avoids the submissive damsel trope, acting with significant agency and intellect. The film passes the Bechdel test, featuring women as active participants in social discourse.

A color-blind casting approach challenges the historically homogeneous depiction of the 14th-century aristocracy. Diverse characters occupy roles traditionally reserved for Anglo-Saxon nobility to emphasize meritocracy.

The narrative critiques the feudal class system by championing social mobility over inherited privilege. Anachronistic music helps deconstruct the sanctity of the historical period.

The film lacks central characters with visible or neurodivergent disabilities. It focuses instead on the physical vulnerability of the body during intense tournament combat.