
UFO: It Is Here
2016

2011
Director
Matthew Bolton
Runtime
82 minutes
Average Rating
No ratings yetSynopsis
The infamous Odenbrook Sanitarium closed after a mass suicide occurred within its walls. Sixty years later, six college students armed with cameras and recording equipment venture into the asylum to prove the existence of the paranormal. Thrills turn into nightmares as members of the group go missing without a sound, cell phones mysteriously vanish, corridors turn into mazes, walls appear where doors once stood, flashlights fail and something or someone begins toying with the group. Days later, when five of the six friends turn up missing, the lone survivor must go through the recovered footage in order to clear his name and find out what happened to his friends
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit mention of LGBTQ+ characters or non-heteronormative narratives. It appears to follow standard genre tropes without exploring diverse sexual orientations.
Gender Representation
A group of six students drives the plot, but the central arc focuses on a lone male survivor. There is no evidence of subverting traditional gender hierarchies.
Racial & Ethnic Diversity
The cast composition is unspecified, leaving the racial and ethnic makeup of the student ensemble unknown. It follows a conventional ensemble structure common to mid-budget horror.
Religious & Cultural Diversity
The story uses a sanitarium setting but focuses on supernatural survival. It avoids critiques of Western institutions, religion, or the deconstruction of cultural norms.
Disability Representation
Despite the sanitarium setting, no characters are shown possessing agency through disability. Neurodivergence or chronic illness do not appear to be central to the character arcs.
Strengths
Areas for Improvement
AI Analysis
Paranormal Incident operates as a conventional found-footage horror film, prioritizing suspense and environmental manipulation over identity-driven storytelling. The narrative focuses on the mechanics of survival within a haunted sanitarium rather than exploring systemic power dynamics or intersectional identities. The film relies on established genre tropes, leaving much of the cast's specific demographic makeup unexamined. While the setting has historical ties to mental health, the characters themselves do not appear to engage with these themes through a lens of disability or social critique.
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