
Things Unknown
2013

2016
Director
Daniele Grieco
Runtime
83 minutes
Average Rating
No ratings yetSynopsis
Five film students are producing a documentary about the local zoo when suddenly the animals go berserk: The reason is a light ball flying by in the sky and crashing at the horizon. Convinced that they've just witnessed a meteor landing the students follow the trajectory to document the event with their camera. In a forest area they discover a burned crater. Since it's too dark to film they decide to spend the night in their van. The next morning one of them is missing. The remaining students find first a trail of blood and then the torn up pieces of what used to be their friend. Soon they realize that something is hunting them - something that's not from this world.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit depictions of LGBTQ+ identities or non-cisnormative gender expressions. The narrative focuses entirely on survival horror and the external extraterrestrial threat.
Gender Representation
The story follows five film students, though their specific gender breakdown is not detailed. Characters are defined by their occupation and survival instincts rather than gendered hierarchies.
Racial & Ethnic Diversity
There is no information regarding the racial or ethnic composition of the student ensemble. The setting does not provide clues regarding the demographic makeup of the group.
Religious & Cultural Diversity
The film follows a traditional survival horror framework. It avoids critiques of Western institutions or the promotion of specific religious or secular ideologies.
Disability Representation
No characters with visible or invisible disabilities are present in the narrative. The ensemble is framed strictly through their roles as documentarians and survivors.
Strengths
Areas for Improvement
AI Analysis
UFO: It Is Here is a genre-driven short that prioritizes atmospheric tension and sci-fi horror over social or identity-based discourse. The plot centers on an extraterrestrial threat and the breakdown of group cohesion during a survival crisis. Because the narrative architecture is driven by external conflict, there is little room for intersectional representation. The film functions as a focused exploration of suspense rather than a vehicle for systemic or socio-political commentary.

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