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War on Everyone

Name: War on Everyone
Director: John Michael McDonagh
Released: 2016
Duration: 98 min

Representation Score

2.6/10

Limited

2016

Director

John Michael McDonagh

Runtime

98 minutes

Average Rating

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New Showbiz Analysis

War on Everyone is a cynical look at police procedurals that prioritizes moral relativism over demographic inclusivity. While the film fails to represent LGBTQ+ individuals, women, or diverse races, it shines in its thematic subversion. By showing authority figures as sources of chaos rather than moral anchors, the film critiques Western social contracts and systemic hierarchies. Its strength lies in its absurd exploration of corruption, not in its commitment to diverse representation.

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Category Breakdown

Does War on Everyone have LGBTQ+ representation?

Minimal

The film doesn't include significant LGBTQ+ characters or stories. It focuses on heterosexual relationships without highlighting queer identities.

How does War on Everyone portray gender?

Limited

The story is driven by male characters, emphasizing a partnership between the protagonists. Women play minor roles or act as catalysts for the plot.

How racially and ethnically diverse is War on Everyone?

Limited

The film is set in a region with a mostly white cast. It doesn't use diverse casting to challenge traditional demographics.

How does War on Everyone represent religion and culture?

Good

The film stands out by questioning the stability of Western institutions. It portrays law enforcement as a source of dysfunction, challenging traditional authority.

Does War on Everyone include disability representation?

Minimal

There is no representation of visible or invisible disabilities. Characters don't have neurodivergence or chronic illnesses in their stories.

Present on Screen

The film questions the stability of Western institutions and traditional authority.
It provides a strong critique of systemic dysfunction through its portrayal of law enforcement.
The narrative challenges traditional moralities with moral relativism.

Limited or Absent

The film lacks meaningful LGBTQ+ visibility or engagement with non-straight identities.
Women are often sidelined to minor or catalytic roles.
The cast is predominantly white, lacking diverse racial representation.

Official Synopsis

Two corrupt cops in New Mexico set out to blackmail and frame every criminal unfortunate enough to cross their path. Things take a sinister turn, however, when they try to intimidate someone who is more dangerous than they are. Or is he?

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