
2/11 Het spel van de wolf
2014

Representation Score
Minimal
2018
Director
Marius Holst
Runtime
128 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Congo (2018) functions as a historical crime drama centered on a specific legal and diplomatic crisis. The narrative structure prioritizes the tension of a manhunt involving Norwegian nationals, limiting the scope for diverse character development. The film uses its Congolese setting to explore geopolitical friction, yet the perspective remains rooted in the experiences of the Western protagonists. This creates a traditional outsider narrative rather than a deep exploration of local systemic complexities. Ultimately, the film follows established genre clichés of the diplomatic thriller. It serves as a character study of specific individuals rather than a tool for deconstructing social hierarchies or promoting multi-layered representation.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. Its focus is on a traditional crime and manhunt storyline without exploring non-straight identities.
The narrative is driven by two male protagonists. There is little evidence of women's ability to drive the story or challenging traditional gender roles within this male-centric crime story.
Set in the Congo with a local chauffeur, the film focuses on Norwegian adventurers. The story centers on white protagonists navigating a foreign landscape.
The film examines the friction between Western diplomacy and Congolese sovereignty. However, it may frame non-Western institutions primarily as sources of diplomatic conflict.
There is no information regarding the depiction of physical or neurodivergent disabilities within the film's narrative.
Present on Screen
Limited or Absent
Official Synopsis
In the spring of 2009 two Norwegian adventurers, Joshua French and Tjostolv Moland, are accused of killing their hired chauffeur just before crossing into the eastern Congo. The following manhunt starts a political and diplomatic headache.

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