
The Velvet Queen
2021

2017
Director
Kate Brooks
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
The Last Animals is a story about an extraordinary group of people who go to incredible lengths to save the planet's last animals. The documentary follows the conservationists, scientists and activists battling poachers and transnational trafficking syndicates to protect elephants and rhinos from extinction. From Africa's front lines to behind the scenes of Asian markets, the film takes an intense look at the global response to this slaughter and the desperate measures to genetically rescue the Northern White rhinos who are on the edge of extinction.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The documentary focuses exclusively on wildlife biology and conservation efforts. There are no discernible LGBTQ+ characters or narratives regarding non-cisnormative identities.
Gender Representation
The film highlights the professional agency of scientists and activists through field-based labor. Representation remains neutral, focusing on expertise rather than traditional gendered tropes.
Racial & Ethnic Diversity
The film includes local conservationists and community members across Africa and Asia. While it features local actors, the narrative remains centered on biological and logistical conservation efforts.
Religious & Cultural Diversity
The narrative critiques modern industrial expansion and the ecological consequences of globalized capitalism. It challenges Western-led economic models by prioritizing natural preservation over commercial interests.
Disability Representation
The subject matter is centered on animal conservation. It does not provide a platform for the representation of human neurodivergence or physical disabilities.
Strengths
Areas for Improvement
AI Analysis
The Last Animals operates primarily as an ecological documentary rather than a social commentary piece. Its value lies in a systemic critique of global economic structures and the prioritization of non-human life over industrial growth. The film disrupts human-centric views of progress by framing economic expansion as a threat to biodiversity. However, it lacks depth regarding human identity politics, focusing instead on the biological realities of extinction. While the film captures a global scope, its lens remains fixed on the logistical aspects of conservation, which limits its exploration of diverse human social identities.

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