
Barbra Streisand... and Other Musical Instruments
1973

Representation Score
Minimal
1965
Director
Dwight Hemion
Runtime
55 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This musical special is a singular star vehicle that lacks broad systemic diversity. While the casting is homogeneous and lacks diverse representation, the film's impact is driven by the central performer's presence. Streisand's command of the stage provides a notable challenge to mid-century gender norms. Ultimately, the production remains a conventional entertainment piece, prioritizing musical tradition and personal talent over sociopolitical commentary.
Category Breakdown
The special functions as a traditional musical showcase without any representation of LGBTQ+ identities or themes within the repertoire.
Streisand commands the stage with intellectual and comedic authority, disrupting mid-1960s expectations of submissive female vocalists by centering her own choices.
The production adheres to standard mid-1960s casting practices, focusing on a singular star without significant diversity in casting.
The film celebrates individual talent within a conventional framework, focusing on personal expression rather than sociopolitical commentary or the deconstruction of Western institutions.
There are no visible or invisible disabilities portrayed within the performance or the stagecraft.
Present on Screen
Limited or Absent
Official Synopsis
Barbra Streisand's first television special, featuring a medley of her hit songs, such as "People," "Happy Days Are Here Again" and "My Man."

1973

1967

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2018

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1993
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