
The New Country
2000

2016
Director
Rajko Grlić
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film engages with the tension of sexual orientation within a conservative societal framework. It frames personal identity as a political act that challenges rigid social hierarchies.
Gender Representation
Women are depicted navigating the fallout of male-driven political shifts. While exploring domestic and social spaces, the macro-political plot remains centered on traditional masculine power structures.
Racial & Ethnic Diversity
The narrative focuses on the nuances of nationality and the 'othering' of neighbors. It critiques exclusionary national identity through the lens of post-socialist state-building.
Religious & Cultural Diversity
The film critiques the stability of established norms by framing the drafting of a constitution as a source of upheaval. It explores situational ethics and systemic friction.
Disability Representation
There is no evidence provided to assess the representation of visible or invisible disabilities within the film.
Strengths
Areas for Improvement
AI Analysis
The Constitution functions as a micro-sociological study, using a shared residential space to force collisions between disparate identities. It moves beyond simple inclusion to examine how religious, sexual, and national identities are negotiated within a changing state. The film excels at humanizing the 'other' and interrogating the systemic frameworks of modern citizenship. It avoids easy moral resolutions, opting instead for a complex exploration of how national shifts reverberate through private lives. However, the narrative remains somewhat tethered to traditional power structures, particularly regarding gender and the macro-political plot. The focus on nationality over traditional racial diversity also limits its breadth.

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