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The End of Eternity

Name: The End of Eternity
Director: Andrei Yermash
Released: 1987
Duration: 137 min

Representation Score

3.5/10

Limited

1987

Director

Andrei Yermash

Runtime

137 minutes

Average Rating

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New Showbiz Analysis

The End of Eternity is a genre-driven exploration of science fiction themes rooted in Isaac Asimov's philosophical inquiries. The film prioritizes temporal mechanics and existentialism over disrupting social hierarchies or characters who reflect more than one aspect of diversity. As a 1987 Soviet production, the work adheres to the demographic and thematic boundaries of its era. It maintains a traditional focus on intellectual mastery and cosmic scale rather than contemporary identity-based frameworks. Ultimately, the film serves as a sophisticated engagement with speculative science fiction, though it lacks visible diversity in terms of race, gender roles, or LGBTQ+ identities.

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Category Breakdown

Does The End of Eternity have LGBTQ+ representation?

Limited

The film does not explicitly depict non-straight or non-cisgender identities or same-sex relationships. Its focus is on time and existential questions rather than exploring LGBTQ+ identities.

How does The End of Eternity portray gender?

Fair

Female performers such as Vera Sotnikova are present, but the narrative primarily revolves around male protagonists. The film does not challenge traditional gender roles.

How racially and ethnically diverse is The End of Eternity?

Limited

The production reflects the ethnic homogeneity typical of Soviet-era cinema. There is no indication of race-bent casting or a diverse, non-Slavic majority cast.

How does The End of Eternity represent religion and culture?

Fair

The film delves into speculative morality and cosmic deconstruction of time. It emphasizes philosophical inquiry rather than socio-political or anti-Western critiques.

Does The End of Eternity include disability representation?

Minimal

There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities within the film.

Present on Screen

The film offers a sophisticated engagement with existentialism and speculative morality through its science fiction foundation.
The intellectual pedigree of the writing provides a deep exploration of temporal mechanics and human institutions.

Limited or Absent

The narrative lacks visible representation of LGBTQ+ identities or non-straight or non-cisgender gender expressions.
Gender roles remain largely centered on male protagonists, failing to challenge traditional hierarchies.
The cast reflects the ethnic homogeneity of its era, lacking racial and ethnic diversity.

Official Synopsis

Directed by Andrei Yermash, and written by Isaac Asimov, Budimir Metalnikov, and Andrei Yermash, «Konets vechnosti» is a 1987 Science Fiction film, starring Oleg Vavilov, Vera Sotnikova, Georgi Zhzhyonov, Sergei Yursky, Gediminas Girdvainis and Boris Ivanov.

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