
Max Steiner: Maestro of Movie Music
2019

Representation Score
Minimal
1992
Director
Joshua Waletzky
Runtime
58 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary is a detailed biographical retrospective focusing on the technical legacy of Bernard Herrmann. Given its focus on a singular historical figure and his musical contributions, the scope for diverse social narratives is naturally limited. The film serves as a celebratory tribute to the classical Hollywood era. It maintains established hierarchies and Western cinematic traditions without challenging existing social or cultural frameworks. As a result, the film reflects the demographic realities of the mid-20th-century studio system, leading to a lack of representation across various social categories.
Category Breakdown
The documentary does not include any stories or characters related to LGBTQ+ identities. The focus is solely on professional collaborations and musical elements.
The film focuses on a male-dominated era of filmmaking history. It does not significantly challenge traditional gender roles or explore non-traditional roles.
The subjects in the film reflect the homogeneous Western cinematic tradition of the mid-20th century. Diversity in the film refers to stylistic variety rather than ethnic diversity.
The narrative celebrates the traditional canon of Western cinematic achievement. It upholds the prestige of classical Hollywood and orchestral traditions without questioning cultural norms.
The film does not address disability, neurodivergence, or mental health as central themes or character elements.
Present on Screen
Limited or Absent
Official Synopsis
Music For The Movies: Bernard Herrmann explores the work of a composer who created music for over 50 films, collaborating with such diverse directors as Orson Welles, Nicholas Ray, and Martin Scorsese. Best remembered for his twelve-year collaboration with Alfred Hitchcock in such classics as Vertigo, North By Northwest, and the unforgettable Psycho, Herrmann pioneered many fundamental techniques of film scoring in the course of his 35-year career.

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