
The Tree
2017

2018
Director
Alexandra Sell
Runtime
99 minutes
Average Rating
No ratings yetSynopsis
A coming-of-age tale with a difference about the grumpy doctor Annebarbel Buschhaus donning her ice skates again at the age of 58 after an absence of 40 years. Back on the ice, she tries to revive long suppressed childhood dreams – and makes a new friend, Jolina Kuhn, Berlin’s youth figure skating champion. Through her new friend, Annebarbel begins to open up and break away from her dominant mother.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film does not explicitly center on LGBTQ+ identities or non-cisnormative expressions. It remains within the bounds of traditional interpersonal dynamics without active subversion or explicit inclusion.
Gender Representation
The narrative excels by centering a female protagonist whose agency is defined by intellectual and emotional reclamation. It successfully subverts the passive female trope by prioritizing her autonomy and passion.
Racial & Ethnic Diversity
Set in a remote Nordic landscape, the film utilizes a predominantly white, homogeneous cast. The narrative does not engage in multicultural casting or include diverse ethnic perspectives.
Religious & Cultural Diversity
The story prioritizes personal self-discovery and connection to nature over organized religion. It deconstructs traditional familial hierarchies through the protagonist's struggle to establish autonomy from her mother.
Disability Representation
There is no prominent depiction of visible or invisible disabilities within the primary character arcs. The film focuses on psychological states rather than using disability as a narrative device.
Strengths
Areas for Improvement
AI Analysis
The film is a sophisticated character study that finds its strength in gender agency. By focusing on a woman's late-life awakening and her pursuit of long-suppressed dreams, it challenges conventional expectations of female aging. However, the film's scope is geographically and demographically narrow. The homogeneous cast and lack of explicit LGBTQ+ or disability representation result in a lower overall score despite its progressive thematic elements. Ultimately, the work succeeds as a nuanced exploration of individual liberation from domestic authority, even if it lacks broad multicultural engagement.

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