
Asylum: the Lost Footage
2013

Representation Score
Limited
2015
RDirector
Abe Rosenberg Fishbein
Runtime
79 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Archivo 253 primarily focuses on found-footage horror, emphasizing tension over diverse representation. The narrative is driven by a male-dominated investigative team, limiting opportunities for varied perspectives. While the Mexico City setting offers a non-Western backdrop, the film does not actively subvert social hierarchies. Instead, it focuses on paranormal investigation rather than addressing systemic power dynamics. Ultimately, the film's adherence to genre conventions leads to a narrow demographic focus. It lacks the depth needed in gender, identity, and disability representation to achieve a higher progressive score.
Category Breakdown
The film does not include any LGBTQ+ characters or non-cisgender identities. The story focuses solely on a group of male investigators.
The story centers around a group of four young men, lacking any female or gender-diverse perspectives. This results in limited subversion of traditional gender roles.
Set in Mexico City, the film provides a Latin American context. However, it is unclear whether the main characters represent the local population or a more homogenous group.
The film explores historical medical and systemic structures through its psychiatric clinic setting. While it touches on hidden histories, it does not clearly challenge social hierarchies.
The psychiatric setting introduces themes of mental health and neurodivergence. However, it is unclear if these elements provide meaningful character development or simply serve as horror clichés.
Present on Screen
Limited or Absent
Official Synopsis
In 2013 a psychiatric clinic which served for more than 50 years caring for patients in Mexico City was demolished. A few months before its demolition, four young men came to investigate the clinic, determined to discover the truth about rumors of strange and paranormal events, recording everything with which they encounter. Today, the whereabouts of these four young men are unknown, remaining only fragments of their recordings.

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